The Field
2015
serie of drawing graphic and animation, 9'16''
An animation or a sequence of drawings (about one thousand images) captures body positions (standing, sitting, lying), which can be seen and drawn directly without a mirror or other optics. I painting from life on A4 tracing paper, dozens of drawings a day, only one specific movement was obtained per day, for example: "head turn", "transition from sitting to lying down", etc. After that, I scanned the drawings and made animations, so that in the end the work exists in two alternatives: graphic albums and a video file.
A series of graphics became for me a "bank of subjective gaze positions", which I often turned to for a series of paintings of the same name "the Field".
2015
serie of drawing graphic and animation, 9'16''
An animation or a sequence of drawings (about one thousand images) captures body positions (standing, sitting, lying), which can be seen and drawn directly without a mirror or other optics. I painting from life on A4 tracing paper, dozens of drawings a day, only one specific movement was obtained per day, for example: "head turn", "transition from sitting to lying down", etc. After that, I scanned the drawings and made animations, so that in the end the work exists in two alternatives: graphic albums and a video file.
A series of graphics became for me a "bank of subjective gaze positions", which I often turned to for a series of paintings of the same name "the Field".